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accompaniment, melody an DDOS d drama of the Opera's advantages gongjia,
All enrich your expression, was welcomed by the wider urban audience, Xihe drums roots
In the city's emerging genre. He uses Jing audio and the Guggenheim, strong singing solemn, rhythm for thousands of crisp. Shamisen with
Music enriches the fingering, show about the inner emotions, more stylized.
Xihe bass drum, a sort of quyi reformulated later, around 1920. It is believed that Zhao Yufeng Liu baojun
Play DDOS ing wi DDOS th Tianjin, two people discuss this when he wrote poster name and then follow the next
Came. Because at that time entered the Tianjin actors come from the Qing dynasty, Ziya Mesopotamia's vast countryside, day
Xihe drums when they entered the city, known as "Beijing transferred West River". Rural pop tunes and singing,
Tianjin claimed two for the West River or the River West River, bass drum book called the West River tone, or plum tones,
Mouth, small North exit.
Known as the "cowardly Xihe modulation". Later when the artist singing in various parts of the dialect is different from a South exit, North
Slow rhythm changes n DDOS ot much, a three-eyed, Aria started, or lyrical shots or
West River bass drum has its basic tone, general structure for the first – second – third Board. Head Board
Book, which is basically straight through, according to the word of its banmian, sometimes with the addition of a coloratura. Three by two degenerate
Sketch of the introductions and told stories. Board is also known as a water board, the speed is fast or slow, steady, to the tune.
Atmosphere. In order to perform various emotional needs, but also a variety of melody and coloratura, sad tune,
And strangely, not coloratura, commonly used at the climax of a voic DDOS e or the end can create tensions
In sad, sad emotions: "double high", mostly for the second Board, painted scenery, music
Adjustable deep, depressing; "cry for the Moon" for excitement, such as anger or some tunes
End; "channeling", st
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